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Ip Man – Master of a Generation 一代宗師

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by David Peterson

In the realm of Chinese martial art folklore, the mere mention of a select few names can conjure up images of bravery, skill and honour. Names like hung kuen master Wong Fei Hong, Jing Wu Institute founder Huo Yuan Jia or wing chun ancestor Leung Jaan, immediately remind us of great martial artists whose skills and deeds continue to inspire respect in the martial world. Another name has been added to that list in recent times, brought to the attention of the wider public in three recent Chinese movies – wing chun grandmaster and patriarch, Ip Man.

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VING TSUN BY DEFINITION

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Getting It Right ...the “Wong Way”!!! 

 

by David Peterson & Enzo Verratti 

There are many people claiming to teach ving tsun, and as many different “versions” of ving tsun as there are teachers, or so it seems. The reasons for these variations are many and complex, one factor which immediately springs to mind being that there are at least three or four different systems of Chinese boxing which take the name ving tsun (though the Chinese characters may differ). At least two of these appear to have originated in or around the city of Fatsaan (Foshan in the Mandarin dialect), the southern Chinese city where Grandmaster Yip Man of the Hong Kong-style first studied the system under his teacher, Chan Wa Sun, who in turn had learnt from the most celebrated of ving tsun “ancestors”, Leung Jan, the undefeated “King of Ving Tsun, a man who is said to have been very protective when it came to passing on his skills.

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What I Have Learnt Through Beimo

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by Sifu Wong Shun Leung

The following article is a personal account of what the late Wing Chun master, sifu Wong Shun Leung felt were the main lessons he had learnt about combat through his experiences of "beimo" or skill comparison, a somewhat subtle way of naming the many full-on fights he had with practitioners of literally dozens of Chinese and other fighting systems during his forty plus years as a Wing Chun devotee. The "beimo" is a long established tradition in the Chinese martial arts and in the Hong Kong of the 1950's and 1960's, one name shone out like a beacon when "beimo" was the topic of discussion. That name was Wong Shun Leung, student of Wing Chun patriarch Yip Man, classmate and trainer of Bruce Lee, and the man who became known in martial art circles as "Gong Sau Wong", the "King of Talking with the Hands". During these celebrated "contests", which took place on rooftops, in back alleys, behind closed doors, in the countryside and anywhere else that was found to be convenient, sifu Wong is said to have never lost a fight, and most witnesses claim that the majority of exchanges took no more than three techniques to determine his victory. Quite a few of these "contests" were arranged by a journalist who was keen to conduct these "tests of skill" so as to obtain exclusive articles for his newspaper, "The Star". Unlike the tournaments of today, these were real fights where rules and protective clothing were unknown, where serious injuries could and, occasionally, did take place, and where there was absolutely no room for "martial magic". The "beimo" sorted out the martial artists from the bullshit artists.

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